|
A
POCKETFUL OF JEWELRY
As
on the mind of a sleeping child
A
ship floated on the sea
Beneath
the dark or whitish clouds
Astride
a dormant storm
Suffused
throughout the sea.
A
maiden's pocketful of jewelry
Adorned
the slipping sky
Whence
dark had rained
to
fill the land wet azure overlay.
Embraced
by wind the sails strained
through
a night that cut like ice
Away
the Lady from an earthen world
No
freedom could entice
The
bow would beckon; the sails strained
to
a horizon at once unfurled.
So
through a slowly breathing ocean
He
steered his ship to sail
And
as a drowning coin descends
up
rose the petals of the sun
In
faded scarlet, white, and orange
And
with the currents, so went she
And
drank the light of morn.
He
drank of love of life and breathed
the
wildness of the air
The
wildness that frocked the sails
The
air that filled his lungs
Through
which in peace his lady sailed.
A
ride along the bridges of the Nile
Before
a fire of autumn trees
Wherein
a man can only live
So
sought a ship that foreign land
Where
all ye need to know on earth
Runs
through and by your fingertips,
As
on a hill as in a plain
there
floated on the sea
In
light of evening waning dim
Ahead
of where they were
A
thing of cut, engraved oak wood.
It
drifted near reflecting back
the
shades of scarlet orange
that
fell in drifts from the disc
that
warmed the seaman and his boat,
She
swept nearby the thing of wood
He
delivered it warmly from the sea
And
held it like a fragile photograph
fading
from his memory.
Ahead
were more; he took them too
And
held them even so
Four
wooden sculptures on the deck
All
shivered in the salty wind.
As
on the edge of a cobblestone wall
There
grew atop horizons vast
Another
ridge of ridges dark
That
sailed like shadows in the earthly black
And
now the sun would rise and fall
Across
the bridge nowhere to go
A
month gone by
A
season changed
was
all that spoke of how much time
A
sailor and a sleek white ship
Were
all that went through waters warm
Where
anything passed through your fingertips
and
slipped away but time.
But
here in ancient Western waters
No
wooden sculptures wept or shivered
The
New World called to one or other
Ahead
he saw the land of life
It
stretched around and came behind
And
here in a pale, cool winter light
Beneath
the dark or whitish clouds
Coral
hands stretched up to reach
And
here she ran aground.
As
on the eyes of a crying child
His
eyes gazed back upon the sea
And
washed the mast from bottom to top
With
water that rose the salty sea
The
land was here, the sacred land
The
one he'd sought for all his life
So
gazed the man for many hours
Upon
the stuff of paradise
Till
like a snowflake bathed in dusk
Falling
from the dark above
He
dropt to sleep at last. --MH
THE
NORAH VERSES
My
Friend
Norah was written by RMH in the
1930s or 1940s. It is a collection of verses for the entertainment of
children. This is the first publication of selected verses from the set.
(UNTITLED)
There
never was
A
nicer nurse
Than
Norah!
She's
lots more
Fun
than
Sarah,
Sue, or Cora!
She's
patient as
A
snail,
And
what's more,
Can
wag her tail!
Which
can't be said
Of
Lena, Lou, or Laura!
NORAH'S
GARDEN
Oh,
I shall have a garden
such
as was never seen,
where
canterbury bells will toll
the
Angelus at e'en,
with
lilies-of-the-valley tinkling
at
the break of day,
and
little Johnnie-jump-ups
jumping
up in proud array.
Ah,
I shall have a garden
where
larkspurs fly about
and
many kind of climbers
go
climbing in and out,
and
flowers red and white and blue,
in
patriotic rows,
will
ripple like a banner
with
every breeze that blows.
And
I shall make my garden
a
joy to eyes and ears,
wherein
there'll be no space at all
for
sorrow or for tears.
Yes,
I shall have a garden
to
soothe the bleeding heart.
Oh,
how I wish I only had
the
energy to start!
(UNTITLED)
I
love to walk in flower beds
It's
fun to pick a rose
And
digging in the lawn is nice
Or
sprinkling with a hose.
But
here is what I'd rather do
Than
anything I know.
I
love to pull up little plants
To
see what makes them grow!
KITTY
BROWN
Kitty
Brown, Kitty Brown,
Just
keeps sitting there.
You
can call to wake the town,
Kitty
doesn't care. |
NORAH'S
FLOWER SONG
What
is sweeter than a flower
Bathed
by every passing shower?
Dancing
with each gypsy breeze,
Sharing
secrets with the bees;
In
the summer, wearing gay
Party
dresses all the day--
Gowns
of pink or violet
That
won't run when they get wet;
Drenched
in perfume and cologne
That
a fairy queen might own;
Brewed
of sunlight, earth and dew
Flush
of dawn and heaven's blue.
Oh!
Such beauty stirs my tears:
Put
away the garden shears.
PRETTY
KITTY
Kitty's
face is oh, so sweet,
Kitty's
fur is clean and neat,
And
each little mark and line
Makes
a wonderful design.
But
in country, town or city
No
one is as sly as kitty.
What
a shame a thing so pretty
Has
so very little pity!
(UNTITLED)
Brown
food,
Yellow
food,
All
so fresh and bright,
Every
plate a picture,
Red
and green and white.
All
shapes,
Odd
shapes,
Mountains,
trees and brooks--
Yet
it all tastes even
Better
than it looks!
THE
WIND
The
North wind is a snow-man
who'll
never, never melt!
The
south wind is a pirate
with
pistols in his belt!
The
East wind is a Chinaman
in
silks and satins dress't,
But
the West wind is a cowboy,
and
I think I like him best!
(UNTITLED)
The
moon comes out
on
the blackets of nights
and
sits all alone
in
the sky.
And
if he's not afraid
to
come out in the dark,
then
neither am I!
Neither
am I! |
ALL
HAIL!
Let
only the eager, thoughtful, and reverent enter here. --Inscription
on the gates of Pomona College
Of
eager there are many,
Of
thoughtful there are few,
Of
reverent there are none.
They
enter the machine and
are
de-moneyed, stamped, filed,
welcomed,
tea'd,
traditioned,
dressed
and served,
lectured,
quizzed,
oversexed,
revolted,
bearded,
queered,
devirgined,
Goded,
cliqued,
hated,
administrationed,
expelled,
finaled,
failed,
TGFO'd,
SL'd, ASPC'd, BA'd,
groomed,
fellowship'd,
Tea'd,
de-moneyed, and
graduated.
Their
minds are cigarettes
which
the machine lights.
They
suck in and blow out the smoke of knowledge
while
flicking away the ashes of uncertainty
as
their tribute.
When
they leave after four years
they
take with them
not
cigarette smoke nor ashes
but
a brown filter. --DAH
(Pomona College Student Life, circa 1958)
SPACE
CASE
The
Universe is vast and far:
Comets
round a double star,
Pinwheel
galaxies that spin,
Holes
so black you cant see in.
Moons
that rise by threes each night,
Trees
that glow with purple light,
Cosmic
rays and asteriods,
Dog-star
boys with hydrant toys.
Tri-lobed
Grelbs that have no brothers,
Two-toed
Fleebs, and many others--
All
these worlds 'neath far-flung skies:
Reflections
in a childs sad eyes.
Oh!
To find that place sublime,
Beyond
the end of space and time!
To
venture wide, to travel far,
To
journey to the Wishing Star!
Escape
velocity is swift--
Wings
of thought provide the lift.
She
slips past Saturns ringèd noose,
Beyond
the blaze of Betelgeuse!
Her
mind has warped through time and space;
She's
visiting a kinder place.
Shes
fled our sphere of toil and pain;
Shes
living on the astral plane.
--RPH
(preface to The Planet Goochin)
EIGHTEEN
DEGREES
Rockwatch--
Desert
squatting vigil,
hard
against night freeze, a little
close
to fading coals.
Eyes
scan deceptive calm,
numbed
fingers toss
new
sticks to
hungry
flames;
three
a.m. and counting--
scraps
of wood consumed
till
dawn.
I'm
hungry, it's
too
bad the apples froze,
tomorrow
back to town, and
try
again. --AAH
A
CHILD'S SONG
The
stars are bright when you see them, this is what they'll look like:
They'll
look like Milky Way dropping,
but except they won't drop and you can pick the Milky Way.
And
the trees are bright and when you see them bright they'll shine with you,
and if you have any mean dreams you can give up all
and when you give up all you'll have nice dreams after all.
You
can dream about you're a princess in a garden growing roses and daisies.
You
can see what they look like; they'll look so pretty.
And
when they look pretty you'll see the flowes blooming
and when you seem them blooming everything will sparkle
and you'll like your dreams very much.
And
when you like them the sugar plums will dance with you.
When
you dance with them you'll see them when they're nice.
Pretend
you're Cinderella and that's only a dream.
When
you see it's only a dream everything will look pretty
and when you wake up from your dream in your house
you'll be suprised, you'll see a design
and you'll pretend for real and see the flowers blooming in your house.
And
the trees will bloom in your house today.
And
when you see the flowers blooming in your house
you won't believe your eyes.
And
when you see your surprise
you'll look all around your house.
The
flowers will be good to you and you can smell them as much as me,
and when you smell them you'll see some beauty-full sparklng bells,
and they'll be hanging on eveything.
Everything
will be so bright; they'll hang on the walls and everything.
--AMH,
1973 (age 4)
AID
FOR THE MORALLY HANDICAPPED
Use
of the breathalyzer, a device to detect drinking drivers, has
dramatically reduced traffic fatalities in Britain, but churchmen are
unhappy over the results. The problem is "breathalyzer
backlash"--young men spending the night in bachelor girls'
apartments rather than risking a breathalyzer test by driving home.
"This may set the scene for moral lapses and result in blighted
lives and lifelong regrets," warned the Christian Medical Fellowship. --news
item |
|
Whilst
British drivers maim and kill
When liquor doth inebriate,
The
churchmen fear a graver ill:
Proclivities of youth to mate.
With
gore the drunks incarnidine
Each quiet English country lane,
Whilst
churchmen warn of concubine,
Who causeth blighted lives of shame.
They
praise a life of rectitude,
Too soon with death on highway met,
For
one of moral turpitude
Is often lengthy with regret.
"Better
Fate than mate," they say,
And, "Better dead than bred!"
Must
British churchmen have their way
When streets with blood run red?
'Twere
better youth should stay alive,
Though filled with longings to seduce:
The
British race shall not survive
If it does not reproduce!
Words
of churchmen oft remind us,
Sober thoughts can trip our minds;
And,
departing, leave behind us
Sitzmarks on the sands of Time. --RPH, 1967
|